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军事荧光屏中出现的Fenix——Fenix手电再次现身好莱坞影片

恐怖片多在较暗多环境下拍摄,《女巫布莱尔》也不例外,那么,这时选择一个好的照明设备就显得尤为重要了。近日,华尔街日报的专栏记者Mike Ayers,写了一篇关于惊悚片续集《女巫布莱尔》电影导演Adam Wingard和影片摄影师Robby Baumgartner选定Fenix PD35,为片中漆黑环境提供照明的原因,以及Fenix PD35是如何出色表现的文章

1999年的经典伪纪录恐怖电影《女巫布莱尔》正式续集已于9月16日在北美上映,由亚当.温佳德执导,狮门影业制作和发行,该片在上映前就有相关媒体报道称其或是今年夏天好莱坞最大的黑马,上映后果然是好评如潮不负众望。

1。 The Witch

1999年的经典伪纪录恐怖电影《女巫布莱尔》正式续集已于9月16日在北美上映,由亚当.温佳德执导,狮门影业制作和发行,该片在上映前就有相关媒体报道称其或是今年夏天好莱坞最大的黑马,上映后果然是好评如潮不负众望。

军事 1

女巫

军事 2

《布莱尔女巫》美版正式海报

Sometimes you earn points for plain old originality。 It‘s safe to say you’ve never seen a horror movie quite like Robert Eggers‘s meticulous tale of 17th century New England outcasts living by a forest that harbors a horrific witch。 Atmosphere and authenticity are the main priorities here, sometimes inscrutable horror story that knows when to be ambiguous, and when to deliver a frank parcel of straightforward terror。

《布莱尔女巫》美版正式海报

所以,你想问:人家电影上映,跟Fenix有啥关系呢?问得好,下面就是答案咯!

有时你能因一些普通的创意而赚点钱。但可以肯定地说,你从来没有看过像罗伯特艾格拍摄的如此细腻的故事。讲述了一个十七世纪新英格兰的的流放者的故事,他生活在一个有可怕女巫的森林旁边。这部电影首要考虑的因素是气氛和真实感。有时神秘的恐怖故事,知道什么时候应该让画面模糊,什么时候应该直接制造恐怖。

所以,你想问:人家电影上映,跟Fenix有啥关系呢?问得好,下面就是答案咯!

恐怖片多在较暗多环境下拍摄,《女巫布莱尔》也不例外,那么,这时选择一个好的照明设备就显得尤为重要了。近日,华尔街日报的专栏记者Mike Ayers,写了一篇关于惊悚片续集《女巫布莱尔》电影导演Adam WINGard和影片摄影师Robby Baumgartner选定Fenix PD35,为片中漆黑环境提供照明的原因,以及Fenix PD35是如何出色表现的文章。

2。 Green Room

恐怖片多在较暗多环境下拍摄,《女巫布莱尔》也不例外,那么,这时选择一个好的照明设备就显得尤为重要了。近日,华尔街日报的专栏记者Mike Ayers,写了一篇关于惊悚片续集《女巫布莱尔》电影导演Adam Wingard和影片摄影师Robby Baumgartner选定Fenix PD35,为片中漆黑环境提供照明的原因,以及Fenix PD35是如何出色表现的文章。

军事,<以下为记者Mike Ayers所写文章>

绿色房间

<以下为记者Mike Ayers所写文章>

In "Blair Witch,"the present-day sequel to the 1999 low-budget horror breakout "TheBlair Witch Project," viewers are once again taken on a"found-footage" romp through the backwoodsof Burkittsville, Md., in search of the supernatural entity of thetitle. Over the course of 90 minutes, six characters find themselves invarious states of panic and terror. Most of the action takes place in thepitch dark, which gives way to an unsung hero of the "Blair Witch"resurrection: The Fenix PD35 flashlight.

Some could argue that Green Room is more of a “siege thriller” in the vein of John Carpenter‘s 1976 classic Assault on Precinct 13 than a horror movie, but given how brutal and terrifying the movie is, I’m laying down the hammer: it counts。 All you need to know is that it‘s about a bunch of punk rockers who witness something very bad, and are then held captive by some terrifying people。

In “Blair Witch,”the present-day sequel to the 1999 low-budget horror breakout “TheBlair Witch Project,” viewers are once again taken on a“found-footage”romp through the backwoodsofBurkittsville, Md., in search of the supernaturalentity of thetitle. Over the course of 90 minutes, six characters find themselvesinvariousstates of panic and terror. Most of the action takes place in thepitch dark, which givesway to an unsung hero of the “Blair Witch”resurrection: The Fenix PD35 flashlight.

《女巫布莱尔》是为1999年的一部成功的低成本恐怖片"TheBlair Witch Project"拍摄的现代版续集, 在新片中,观众再一次被带到马里兰州Burkittsville镇的蛮荒林地,寻找电影名称里这种超自然生物。影片长达90分钟,其中的6个演员说他们在拍摄时经历了不同程度的恐惧感。由于影片的大部分情节都是在漆黑的环境中拍摄的,给片中的无名英雄创造了极佳的拍摄条件--那就是Fenix PD35手电。

一些人可能会认为绿色空间是一部“动作惊悚片”,类似于由约翰卡朋特导演的《血溅13号警署》,而并非是一部恐怖电影。但考虑到这部电影是多么残酷和恐怖,我坚定地认为它就是一部恐怖片。你所需要知道的是,这个故事描绘一群朋克摇滚乐队里的人,他们见证一些非常可怕的事情,然后被一些可怕的人俘虏了。

《女巫布莱尔》是为1999年的一部成功的低成本恐怖片“TheBlair Witch Project”拍摄的现代版续集, 在新片中,观众再一次被带到马里兰州Burkittsville镇的蛮荒林地,寻找电影名称里这种超自然生物。影片长达90分钟,其中的6个演员说他们在拍摄时经历了不同程度的恐惧感。由于影片的大部分情节都是在漆黑的环境中拍摄的,给片中的无名英雄创造了极佳的拍摄条件——那就是Fenix PD35手电。

军事 3

3。 Don‘t Breathe

军事 4

This LED light, which retails from $75 to $139.95, depending on the type of battery youget, was an integral part in bringing "Blair Witch" to life - and a tricky one,too. Director Adam Wingard and cinematographer RobbyBaumgartner tested close to 20 different flashlights beforesettling on the Fenix PD35.

屏住呼吸

This LED light, which retails from $75 to $139.95, depending on the type of battery youget, was an integral part in bringing “Blair Witch” to life — and a tricky one,too. Director Adam Wingard and cinematographer RobbyBaumgartner tested close to 20 different flashlights beforesettling on the Fenix PD35.

这款LED手电的零售价格从75美元到139.95美元不等,取决于里面所用的电池。可以说,这款手电在影片中起到不可或缺的作用,同时,使用起来也非常考验技术。导演Adam Wingard和影片摄影师Robby Baumgartner测试了将近20种不同的手电后,才最终选定了Fenix PD35。

Easily the best “wide release” horror movie of the year, Don‘t Breathe benefits from a familiar story that’s punched up with a handful of genre subversions and an overall sense of moody claustrophobia。 It‘s about a trio of clueless criminals who believe that a local blind man is the perfect prey for a late-night robbery -- and very quickly come to realize that they’re not the predators after all。 They‘re the prey。

这款LED手电的零售价格从75美元到139.95美元不等,取决于里面所用的电池。可以说,这款手电在影片中起到不可或缺的作用,同时,使用起来也非常考验技术。导演Adam Wingard和影片摄影师Robby Baumgartner测试了将近20种不同的手电后,才最终选定了Fenix PD35。

"We had to go through a ton ofdifferent flashlights and brands until we found one that didn't create aconsistent flicker [on the camera lens], so we had a clear image," Wingardsays.

这部电影可以很轻松地被评为“年度最佳”恐怖片。它从一个熟悉的故事入手,但是颠覆了以往的体裁以及从整体上营造了一种情绪化的幽闭恐怖感。这个故事讲了三个无能的罪犯,他们认为当地的一位盲人是他们深夜抢劫的完美对象,但他们很快意识到,自己并不是狩猎者而是猎物。

“We had to go through a ton ofdifferent flashlights and brands until we found one that didn’t create aconsistent flicker [on the camera lens], so we had a clear image,” Wingardsays.

"审查了大量不同品牌的手电之后,我们终于找到一款符合我们要求的手电,它不会像其他手电那样,在镜头上产生闪烁的光,这样我们才能拍出清晰画面。"Wingard告诉我们。

4。 The Eyes of My Mother

“审查了大量不同品牌的手电之后,我们终于找到一款符合我们要求的手电,它不会像其他手电那样,在镜头上产生闪烁的光,这样我们才能拍出清晰画面。”Wingard告诉我们。

军事 5

吾母之眼

军事 6 《女巫布莱尔》片中人物使用Fenix PD35

《女巫布莱尔》片中人物使用Fenix PD35

This stark, unpredictable black and white horror film was fairly divisive across the festival circuit, but it‘s hard not to be grabbed by the compelling turns。 First-time filmmaker Nicolas Pesce tells the story of a disturbed young girl who grows into a harrowingly twisted woman thanks to a shocking childhood trauma。

“Blair Witch” was shot on location in32 days nearVancouver, British Columbia.Baumgartner estimatesthat 25 days were shot at night, with more than 80% of those nights lit onscreen by the Fenix model. The flashlights, thus served a dual purpose: toilluminate the shots, but also be a part of the narrative since the charactersbrought them into the woods as camping tools.

"Blair Witch" was shot on loCATion in32 days near Vancouver, British Columbia. Baumgartner estimatesthat 25 days were shot at night, with more than 80% of those nights lit onscreen by the Fenix model. The flashlights, thus served a dual purpose: toilluminate the shots, but also be a part of the narrative since the charactersbrought them into the woods as camping tools.

这部神秘的黑白恐怖片在电影节上备受争议,这是由新手尼古拉斯佩谢导演的一部讲述一位患有心理问题的年轻女孩由于童年的创伤而成长为一位心狠手辣的女魔头的故事。

《女巫布莱尔》拍摄期为32天,拍摄地点位于大不列颠哥伦比亚省的温哥华。Baumgartner告诉我们大约25个拍摄日都是在晚上,其中80%产生在荧幕上的灯光效果都是来自Fenix产品。

《女巫布莱尔》拍摄期为32天,拍摄地点位于大不列颠哥伦比亚省的温哥华。Baumgartner告诉我们大约25个拍摄日都是在晚上,其中80%产生在荧幕上的灯光效果都是来自Fenix产品。

5。 Train to Busan

军事 7 《女巫布莱尔》影片中部分使用Fenix PD35的片段

军事 8

釜山行

“With actors essentially lighting thebackground, themselves and each other, it was paramount to get this right orthe film would look like shit,” Baumgartner says. “It took a bit of trial anderror to figure out how to make the best of a tricky cinematic situation.”

《女巫布莱尔》影片中部分使用Fenix PD35的片段

Don‘t miss this South Korean import, accurately described as “zombies on a train。” This is an energetic and highly entertaining combination of horror, disaster movie, and dark comedy, and it’s so damn good I expect there to be an American remake within the next few years。

“由于在影片中,演员本身能够对背景,自身,其他角色产生一定的光照,所以处理好整个画面的整体灯光效果尤为重要,否则整部影片都会很糟糕。”Baumgartner说道,“经过一些尝试和错误之后我们就能知道怎样才能拍出最佳的电影画面。”

"With actors essentially lighting thebackground, themselves and each other, it was paramount to get this right orthe film would look like shit," Baumgartner says. "It took a bit of trial anderror to figure out how to make the best of a tricky cinematic situation."

不要错过这部韩国电影,准确地说,它可以叫“火车上的僵尸。” 这是一部充满活力,融入了娱乐性的恐怖片、灾难片、黑暗喜剧。它是如此的好看以至于我希望美国可以在未来几年重拍这部电影。

Baumgartner and Wingard had to spendtime teaching the actors how to use the flashlights. “It’s not a talent thatcomes natural,” Wingard says. “I’ve seen actors that have been able to pickthis up right away, I’ve seen actors that get annoyed with it. You’reconstantly telling them not just to shine here and there, but sometimes you’relighting up your fellow actor that’s standing next to you.”

"由于在影片中,演员本身能够对背景,自身,其他角色产生一定的光照,所以处理好整个画面的整体灯光效果尤为重要,否则整部影片都会很糟糕。"Baumgartner说道,"经过一些尝试和错误之后我们就能知道怎样才能拍出最佳的电影画面。"

6。 The Conjuring 2

Baumgartner 和 Wingard 首先要花时间告诉演员们怎么去使用手电。“不是每个人一拿着手电都会用的”Wingard说,“我见过有些演员一下子就上手了,我也看到有些演员对这玩意及其不耐烦。你不停地告诉他们别拿着手电到处乱照,结果有时候自己都会照到身旁的演员。”

Baumgartner and Wingard had to spendtime teaching the actors how to use the flashlights. "It's not a talent thatcomes natural," Wingard says. "I've seen actors that have been able to pickthis up right away, I've seen actors that get annoyed with it. You'reconstantly telling them not just to shine here and there, but sometimes you'relighting up your fellow actor that's standing next to you."

招魂2

The filmmakers also developed on-settricks to help illuminate scenes. Baumgartner created a vest-type cloth thatthe actors would wear off cameraandwould help the on-camera actorknow where to point the light.

Baumgartner 和 Wingard 首先要花时间告诉演员们怎么去使用手电。"不是每个人一拿着手电都会用的"Wingard说,"我见过有些演员一下子就上手了,我也看到有些演员对这玩意及其不耐烦。你不停地告诉他们别拿着手电到处乱照,结果有时候自己都会照到身旁的演员。"

Few filmmakers are as adept at making us scream in our seats as James Wan。 What could have been a standard potboiler of a sequel turns out to be one of the more creative and steady scary movies of the year? Vera Farmiga and Patrick Wilson return to play a pair of married paranormal investigators who travel to London and face off against some truly unpleasant apparitions。

影片制作人自己发明了一个在拍摄现场的照明小技巧,只要在镜头之外的演员穿上一种背心夹克,在镜头范围内的演员就知道应该把手电指向哪里。

The filmmakers also developed on-settricks to help illuminate scenes. Baumgartner created a vest-type cloth thatthe actors would wear off camera and would help the on-camera actorknow where to point the light.

很少有电影制作人能像温子仁那样擅长拍摄诡异电影,让我们在座位上尖叫。是什么使一部普通的粗制滥造作品的续集能变成今年的一部更有创意的恐怖电影呢?维拉•法米加、帕特里克•威尔森这回扮演一堆已婚夫妇,他们是灵异现象调查人员,在影片里前往伦敦去驱魔。

“We had a week of rehearsals before,because the shooting style was so different,” says Wes Robinson, whoplays Lane in the film. “It felt really raw and creative. It didn’t feel likeyou’re making a studio film.”

影片制作人自己发明了一个在拍摄现场的照明小技巧,只要在镜头之外的演员穿上一种背心夹克,在镜头范围内的演员就知道应该把手电指向哪里。

7。 The Invitation

“由于这部影片拍摄的方式比较特别,所以在这之前我们有一个星期的排练时间”,在影片中扮演Lane 的Wes Robinson说, “拍摄方式很创新,所以很没有经验,感觉都不像在拍电影”。

"We had a week of rehearsals before,because the shooting style was so different," says Wes Robinson, whoplays Lane in the film. "It felt really raw and creative. It didn't feel likeyou're making a studio film."

复仇盛宴

Wingard says the original “BlairWitch” cameras “could barely handle shooting at nighttime,” but that, in fact,helped createa realistic feel that grabbed audiences. “If you go back andwatch that film, you can see that they are barely getting any exposure,which is actually scary in itself,” the directorsays. “It makes you feellike there’s more darkness around you and feels realistic for the experience ofbeing out in the woods.”

"由于这部影片拍摄的方式比较特别,所以在这之前我们有一个星期的排练时间",在影片中扮演Lane 的Wes Robinson说, "拍摄方式很创新,所以很没有经验,感觉都不像在拍电影"。

Anyone who has attended an awkward dinner party filled with old friends and odd new acquaintances will appreciate what director Karyn Kusama cooked up with this thriller。 As Will works through emotional baggage, we work through the evident mystery。 The Invitation caps off with a finale that‘s full of jolts, jumps, and unexpected twists。

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